Kätevän kokoisen, yksikanavaisen boutique-kombon inspiraationa on toiminut Fender ”Blackface” Princeton Reverb (versio AA1164), mutta Bluetone-vahvistimessa on niin monta parannusta, ettei Black Princen tapauksessa voi edes puhua kopiosta. Valinta oli kuitenkin tietoinen ja monien kokeilujen tulos: Black Prince Reverb on kätevän kokoinen boutique-luokan putkikombo loistavalla clean soundilla, täyteläisellä jousikaiulla ja tyylikkäällä tremolo-efektillä. Bluetone Black Prince Reverb -kitarakombo on uusi aluevaltaus helsinkiläiselle putkivahvistimien valmistajalle. The Black Prince leaves Bluetone’s workshop equipped with a pair of 6V6GT power valves, which will translate to about 20 watts of output. You can also re-bias this amp for a pair of 6L6GCs, which would boost the output to almost 30 watts. …and a 1970s Japanese ”lawsuit” copy of a Gibson ES-335: Tässä pätkässä esitetään Telecasterilla Bluetone Black Prince Reverb -kombon kuivaa soundia, sekä kombon kaiku- ja tremolo-efektit: Bluetone have chosen a Warehouse Guitar Speakers Retro 10 -speaker for their new combo jack and the beanstalk slot 4 wild, even though this model is distinctly different from the old Jensen speakers in vintage Fender designs. Lyhyen MOD-jousikaiun soundi on yllättävän monitahoinen ja tiheä, ja sitä on tarjolla hyvinkin runsaasti. Myös Black Prince Reverbin tremolo toimii esimerkillisesti – tarjolla on kaikenlaisia tremolomuotoja kevyestä ja hitaasta hyvin nopeaan ja rankkaan vatkaukseen. Tämä on käsintehty, kotimainen laatuvahvistin. Tämän valossa pidän Black Prince Reverbin hintaa jopa melko edullisena. The rhythm parts were played on a Fender Stratocaster, while the lead was played on a Hamer USA Studio Custom: Komppikitarana toimii Fender Stratocaster, kun taas soolo-osuudet on soitettu Hamer USA Studio Custom -kitaralla: This amp hasn’t been spoiled by unnecessary ”tube voodoo” or distracting graphic. I’m all for the clean and understated looks this Bluetone has to offer! Even though the Black Prince Reverb is such a compact combo, it still featured both a genuine, valve-driven spring reverb and a tube tremolo. Kombon erittäin terve puhdas soundi toimii myös todella hyvin efektipedaalien kanssa. Demobiisissä on käytetty – Black Princen oman tremolon ja kaiun lisäksi – analogista chorus-pedaalia, sekä Tube Screamer -tyylinen säröpedaali. Bluetone käyttää vahvistimissaan aina PPIMV-kytkennällä (post phase-inverter master volume ) toimivia master volume -säätimiä, koska tällä tavalla toteutettu master volume vaikuttaa vähiten vahvistimen soundiin. Tällainen on näky, kun takaseinä on irrotettu Bluetone-kombosta. + handmade in Finland It’s hard to put into words what that special ingredient is, but this is what a clean electric guitar should sound like! This combo sounds clean, fresh and dynamic, but never clinical, cold or brittle. There a good dose of chime, but it doesn’t hurt your ears. The bass strings sound big, but never mushy. Tämän kombon lyhyt jousikaikutankki tulee MOD :n valikoimasta. Tehonkestoltaan ehkä hieman ”ylimitoitettu” WGS Retro varmistaa, että Black Prince Reverbin soundi pysyy mahdollisimman puhtaana ja dynaamisena. ”Britti-soundiin” viritetty luonne taas tekee Bluetone-kombon soundista tukevamman ja isomman. Takapaneelista löytyy lähtöjä lisäkaiuttimille, sekä liitin kombon mukaan tulevalle jalkakytkimelle. This is a very involved and time-consuming process, requiring a steady hand and a keen eye, which of course is reflected in the price of a Bluetone Custom amp. The advantage of building this type of point-to-point amp is, of course, that it gives the customer free reign to have his dream amp built. This compact and handy combo takes a lot of inspiration from Fender’s legendary ”Blackface” Princeton Reverb (version AA1164) finland casino 1920, but due to the Bluetone’s many refinements you can’t really call the Black Prince a straight copy. …an Epiphone Casino… Oh, boy, this is a sound you cannot get enough of! At least in my case only a minute or two of playing the Black Prince was enough to make me consider getting myself in debt. The Black Prince Reverb combo is an all-valve machine, loaded with the following tube types (from right to left): Casino; amp gain 1 o’clock: You can also simulate Uni-Vibe-style tones by using a suitable phaser. The Boss PH-3 is a modern and versatile phaser. If you want something even more affordable, you could check out Mooer’s range of effects. Fender’s Hendrix model is a fine Strat, which you can use for all types of music. Still, it’s the ”Hendrix-thing” this guitar does the best! Casino; full amp gain: Jimi Hendrix’ simply doesn’t seem to wane, even though the genial guitar hero himself died in London in 1970 at 27 years of age. There’s still so much interest in Hendrix’ music that he continues to rank among the top ten of best-earning dead celebrities in Forbes magazine. Deluxe-versiot on saatavilla myös sunburst-värityksellä, kun taas Standard-kitarat saadaan ainoastaan natural-viimeistelyllä. The new Made-in-Mexico Fender Jimi Hendrix Stratocaster isn’t the first Hendrix model that Fender has released: Stratocaster; amp gain 3 o’clock: If I could only have the maestro’s long fingers and musical imagination… Hendrix generally used his Vox Wah in front of his Fuzz Face, but keeping it behind the fuzz will also result in some cool tones. Great wah-pedals can also be head from Boss. Mission Engineering or Jim Dunlop . Modern improvements on the Hendrix Strat include truss rod access from the headstock side, as well as a flatter, more bend-friendly fretboard radius of 9.5 inches. I’ve used my Morley M2 Wah/Volume pedal in front of the Big Muff Pi: Same guitar, same amp settings, but the Hamer’s volumes have been set to 7: Fuzz Faces are built by the Jim Dunlop company these days. There are also cheap alternatives available, from companies such as Mooer or Rowin. I’m using an Electro-Harmonix Nano Big Muff Pi for the demo tracks: Fender Jimi Hendrix Stratocaster + American Vintage pickups 1. Marshall Model 1959 ”Plexi” stack Price approx. 950 € The control panel sports the classic Vox chicken head knobs. A genuine Octavia-pedal is only made by Roger Mayer, but Joyo’s inexpensive JF-12 Voodoo Octave stomp box sets you off in a very similar direction. Stratocaster; full amp gain: Joka malli on saatavilla Standard-versiona, jossa kaikukopan kokopuiset sivut ja pohjat on tehty mahongista ilmaiskierroksia casino 4 winds, tai Deluxe-versiona ruusupuisella kaikukopalla. Kokopuisessa sitkakuusikannessa on kevyt scalloped-rimoitus. Next I recorded a demo track with a more Hendrix-like arrangement. The signal path was: Hendrix Stratocaster –> Morley M2 Wah/Volume –> Electro-Harmonix Nano Big Muff Pi –> Blackstar HT-1R. The Uni-Vibe style sound at the end of the track was achieved with a phaser plug-in during mixdown: In 1980 a small, semiofficial run of Hendrix Strats was made, sporting a white body and a left-handed neck with a large headstock. Fender’s Custom Shop came out with 100 Monterey Stratocasters, which where close copies of the guitar instrument played and burned at the 1967 festival. It was a right-handed Stratocaster with a small headstock and a hand-painted body, set up for left-handed playing. Along with the guitar the Monterey Set also included a flight case and a leather gig bag. In the same year (1997) Fender USA started to produce the Jimi Hendrix Voodoo Strat. The Voodoo Strat was in fact a a left-handed (!) copy of Hendrix’ (right-handed) Woodstock Stratocaster, with the headstock decals turned into mirror images, so that you would look (a bit) like Hendrix, whenever you stepped in front of a mirror. ? A British importer of musical equipment, a man called Ivor Arbiter, came up with the Fuzz Face in 1966, because he wanted to have a fuzz pedal in his product range. He came up with a chunky package by having the Fuzz Face circuit built into the base of a 60s microphone stand. The round enclosure, coupled with the unit’s two controls and single footswitch suomenkieliset casino drive, looked like a smiley face, which is where the pedal got its name from. + musician-friendly price tag The flatter-than-vintage fretboard radius really helps to make the Hendrix Strat a very bend-friendly guitar kasinot suomi images, while also minimising the possibility of fret choke during large-interval bends. The Vox AC10C1 is loud enough for most rehearsal situations, and you might even use it in some small venues without a mike. The headstock’s flip side displays Hendrix’ signature, and a very decent set of Kluson copies. In my opinion, the Vox AC10C1 is just the ticket if you’re after genuine Vox tones in a compact, easy-to-handle package. Dragon Area will be amongst essentially the most fun game tittles Опубликовано Гость в Вс, 08/09/2015 - 14:34. Опубликовано Гость в Вс, 08/09/2015 - 15:22. Опубликовано Гость в Вс, 08/09/2015 - 20:56. 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